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Contents of Volume 12 (2002/2003)
N.B. Numbers refer to issues and pagination of the printed version of Connotations.
- Spenser's Parody
12.1: 1-13 - "If we offend, it is with our good will": Staging Dissent in A Midsummer Night's Dream
12.1: 35-51 - Shakespeare's Falstaff as Parody
12.2-3: 105-25 - Catholic Shakespeare? A Response to Hildegard Hammerschmidt-Hummel
12.1: 52-60 - "The most important subject that can possibly be": A Reply to E. A. J. Honigmann
12.2-3: 155-66 - Parody, Satire and Sympathy in Don Quixote and Gulliver's Travels
12.2-3: 126-38 - "Grace beyond a curled lock": Further Thoughts on Henry Vaughan's "Isaac's Marriage"
12.2-3: 167-82 - Unsexing Austen: A Response to Leona Toker
12.2-3: 183-93 - Brontë and Burnett: A Response to Susan E. James
12.1: 61-66 - Wuthering Heights and The Secret Garden: A Response to Susan E. James
12.2-3: 194-201 - The Making of a Goddess: Hardy, Lawrence and Persephone
12.2-3: 202-32 - Dracula and the Cultural Construction of Europe
12.2-3: 233-48 - Tragedy in The Turn of the Screw: An Answer to Ursula Brumm
12.1: 67-71 - Elizabeth Bishop's "The Prodigal" as a Sympathetic Parody
12.1: 14-34 - War, Conversation, and Context in Patrick Hamilton's The Slaves of Solitude
12.1: 72-82 - Allusions in Gary Snyder's "The Canyon Wren"
12.1: 83-92 - From Lone Monkey to Family Man: Wittman's Evolving Inclusion in Tripmaster Monkey
12.2-3: 249-80 - "It's wanting to know that makes us matter": Scepticism or Affirmation in Tom Stoppard's Arcadia. A Response to Burkhard Niederhoff
12.2-3: 281-91 - Angels, Insects, and Analogy: A. S. Byatt's "Morpho Eugenia"
12.1: 93-104 - (Un)tying a Firm Knot of Ideas: Reading Yang Mu's The Skeptic
12.2-3: 292-306 - Parody as Cultural Memory in Richard Powers's Galatea 2.2
12.2-3: 139-54